complete with a steamroller bassline, haunting effects and an apocalyptic breakdown. The trademarked vocals are interspersed throughout, as buzzing synths mangle the riffs of the original version.
Although more noted for his electronic releases on high-profile labels such as 1605, Toolroom and Great Stuff, Christian had been a fan of Nightfall since
their early days, and when a chance encounter brought him together with the band's mastermind, the opportunity arose for a collaboration, which resulted
in the remix of a cut out of their latest opus.